Like pretty much anything else in the film industry, word of mouth is often the best way to get connected. If it’s not in a separate account, that’s a glistening red flag. A Hybrid of the Two Above - where you pay the service upfront and the aggregator also takes a backend cut.īefore agreeing to work with an aggregator, ask one of their reps how they manage client royalties.A Cut of the Backend - where you share of the percentage of a film’s profit (often 10%) after expenses get paid in full.A One Time Service Fee - where you pay the service upfront and keep 100% of revenue your project generates.Every film aggregator is unique, in that they all offer unique pricing models, which may be right for your project.įilm aggregators usually charge in one of three ways: Of course, a big question about choosing a film aggregator comes down to cost. Point being, you or your production team will be having in-depth conversations about your film’s goals working with a distributor compared to most film aggregators. You may be wondering: what is the difference between aggregators and film distributors? Distributors control all the distribution (or at least within specific territories) and usually marketing for that film.įilm aggregators, on the other hand, typically only aid in getting your project posted to networks where your project can be purchased. Some film aggregators may also help you through the encoding process and creating assets like subtitles or dubs for your film. On these platforms, customers can then purchase your content. A film aggregator is a third party service that can help you get your movie, short, or series distributed on platforms including Google Play, Sony PlayStation Network, Amazon, and iTunes.
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